Landscape photography transformed my life. Not only did it completely change the way I view the physical world (for the better) but it also profoundly changed the way I experience it and connect with it. I realize these are big words. And I use them very seriously and intentionally.
(The term ‘landscape photography’, as used here, encompasses multiple genres of photography that include city, travel and architecture, in addition to the captures of grand, sweeping vistas of our beautiful planet, that are typically associated with it.)
It’s not that in My Life Before Photography, I didn’t appreciate travel or nature — I did. But I didn’t really get it. I would see a beautiful scene, enjoy the experience and … move on.
I had children just when digital photography was really taking off. Innovations in sensor quality, storage and online sharing were starting to change the way people use cameras. I felt I needed to capture every moment and was happily filling my memory card, offloading it to my computer and then doing it all over again. I didn’t give much though to composition or focus or exposure. Then one day I left my point-and-shoot at the park. My wife suggested we get a better camera — I was happy to oblige. I picked up an entry-level DX camera with a 35m primes lens and that’s when the light bulb went on.
I started browsing photography websites and blogs. And I started discovering images - of mountains and rivers and beaches and forests and lakes and cities - that would leave me in awe and send my mind spinning: what were these places? Who where these people making these jaw-dropping captures of them and how did they do it?
Some of them were places I had been to. Why hadn’t they moved me then as they did now? Suddenly there was a fire in me — a sense of urgency. To re-visit the places I had already been and also explore places I would’ve never dreamt of seeing before. Not only that, I wanted to take pictures of these places, pictures like the ones I had seen that had cast a spell on me.
The first thing that struck me about landscape photography was how the simple act of stopping space and time for a singular instant and collapsing it down to two dimensions, could create something of profound artistic value.
Next I discovered the concept of composition and perspective; that every scene is composed of certain elements and only a very limited set of views combine those elements in a way that maximizes harmony and symmetry, such that the result is pleasing to our eyes. And that only a handful of people among us are gifted with the talent that allows them to consistently find this balance.
I became aware of the dance of light and shadow …
… and sunset and sunrise.
I discovered leading lines and trails and how photographers use elements in the scene to guide the eyes as they scan it so as to draw attention to certain parts.
And once I became aware of these things, I could never see the world the same again.
There’s seeing a beautiful vista and then there’s seeing it at first light, when the sun peeks through.
Or when the sky is in flames.
That magical moment when the lights start coming on.
In instants like this, where last light takes a scene that is already moving and makes it downright haunting.
… to be continued